When many Western cultures think of Japan many associate the country with sakura (桜) or
Japanese cherry blossoms. However there is no official national flower of
modern-day Japan and the Imperial seal was a sixteen-petal chrysanthemum. So
why is it that we think of cherry blossoms when we think of Japan? Well it all
started back in 710-794 in Japan during the Nara Period.
Hanami (花見 lit. flower
viewing) is a century old custom of holding picnics under blossoming sakura trees. However from the Heian
period to the Edo period the practice of hanami
became more common among the differing classes when before it was only common
among the elite of the Imperial Court. The symbolism of the Japanese sakura blossom has commonly been
representative of clouds due to the flowers nature of blooming en masse (blooming in giant somewhat
separate bundles,) however they were also popularized as a constant example of
the ephemeral quality of life. This concept is a central aspect of mono no aware (物の哀れ) which is a Japanese tradition strongly
associated with the Buddhist influence in Japan. Mono no aware is translated as “the gentle wistfulness of things” a
concept that conveys an awareness of the transience of things in this
world. The sakura is used as an example for mono no aware due to the short life span of the sakura. The typical life span for a
common sakura blossom is generally a
week which demonstrates the beauty of them but also how one can have a wistful
sadness since their beauty will fade within a mere week.
While mono no aware lays claim to the sakura
flower as a demonstration of its core ideas the sakura flower is also an example of the Japanese ideal of wabi-sabi (侘寂) which can be broken down into in two
distinct ideas. Wabi (侘) can
be thought of as the beauty in imperfection. Sabi (寂) can be thought of as the wistful sadness
about the impermanence of the object. Wabi-sabi
is somewhat similar to mono no aware
, however the difference pertains to the object which has impermanence. Mono no aware is generally used to refer
to living things such as plants animals and humans where as wabi-sabi pertains to objects and things
that have no life such as rocks, tea cups, and brick walls. To insert a visual
aid look at the picture below:
This scene is absolutely stunning however the clay wall is stained
with orang and brown spots. This reflects the aspect of wabi in the picture since it shows the perfection in the
imperfection. Although the wall is stained it still is aesthetically pleasing,
showing that although it hasn’t retained its original colour it still is still
perfect geometrically. The sabi element here is the rock garden
that is beautiful and perfect, however it is easily messed up and since we
don’t know how long it will last, this truly reflects the sabi in this scene.
In all the sakura blossom is very important to
Japan, and although it is not the official flower of japan the symbolic
representations of the sakura flower
have greatly popularized it since 710. Since the sakura flower was, and continues to be, an integral part of the
daily Japanese experience (whether it be in art, poetry, or philosophy) during
the formation years of the nation of Japan it is no doubt that when foreigners
arrived they saw many depictions and writings about the sakura blossom and often wrote about it in their letters back home.
This is why it is common for westerners generally tend to associate the sakura with Japan.
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